How to Use Twitter for Book Promotion

I came across this tweet recently, which captures a common frustration for authors on Twitter:

I actually get asked about this quite a lot – my day job is head of content for Social Media Today, so I essentially get paid to analyze and write about social media and digital marketing trends. Combine that with the fact that I’m an author and logically, I should know how to make best use of Twitter for authors and book promotion, right?

And I do, but what I normally add to this when I do respond to such questions is ‘but you’re not gonna’ want to hear it.’

Why is that? Because it takes time, it takes effort – time and effort that writers would generally rather be expending on, you know, their actual writing projects.

The truth is, if you want to utilize Twitter as a promotional tool for your books, then you have to first build your platform, and earn the right to pitch your latest work to a receptive Twitter audience.

How do you do that? Here’s an overview of a few options you could consider.

1. Build a Platform Around an Issue

Now, to clarify, building a ‘platform’ in this context relates to establishing a following of people who are interested in what you do – and ideally, what you write about. If you can establish yourself as an authority or leading voice within a certain niche, then people will seek more information on that topic from you, and in that way, you can utilize Twitter as a promotional tool because your audience is interested in the topic and what you have to say about it.

To do this, you need to get involved in the conversation. Let’s say you write about climate change in your work – you would start by following the relevant leaders in that field and engaging with them, and within the replies on their tweets, wherever was relevant. That, over time, will get your name in front of other people who are interested in the same – so you’re gaining exposure to a group of Twitter users who are interested in that topic.

The more you can get involved and build your profile – through tweet engagement, sharing your own posts, sharing others’ relevant content, etc. – the more you’ll become known in that niche, so when you do publish your book, which relates to climate change, the audience that you’ve established will now be more likely to engage with it.

Author Clementine Ford is a good example of this – Clem writes about gender equality and feminism, and sees a lot of engagement on her tweets as a result, including her book announcements.

Clem has built a Twitter audience of more than 132k followers, and while not every single one of her tweets is about her focus subjects, more than 90% of them are, and combined with her newspaper articles and media appearances discussing the same, Clem has built an audience which knows what they’ll get, and will therefore be a likely market for her books.

But this approach does get a little murky for fiction authors, whose body of work is likely not dedicated to a few key subject areas.

As an example, author Alice Bishop released a collection of short stories last year which looks at the Black Saturday bushfires in Victoria – Bishop lived in one of the bushfire hit regions, so has first-hand insight on the destruction.

Alice hadn’t established herself as an authority on bushfires beforehand (which, as a fiction author, wasn’t her aim), but over time, she has been able to build more of an audience on Twitter based on bushfire coverage – sharing articles about the most recent fires, engaging with people from impacted communities via tweet, gaining a following as a someone who writes about fires and their aftermath.

Focusing on a subject has arguably helped Alice build a more engaged audience on Twitter, but that same audience likely won’t be as beneficial if Alice’s next book isn’t related to the same.

In this sense, topicality can help in your promotion efforts, but it’s also likely too confining for fiction authors, who switch topics significantly from one publication to the next. If you dedicate yourself to one key area, it will definitely bring promotional value on Twitter over time, through establishing yourself as an expert in that arena. But this may not be an effective approach for novelists.

Consequently, this is also a problem I see with modern publishing approach to the same, where they seek a topical angle on your work, as opposed to focusing on the story and writing itself. For one, it feels like, over time, literature is merging too much into activism, which can alienate a large audience subset (people are already inundated with politics in their social media feeds every day – the last thing they want is to be preached to in their recreational reading habits). For another, and as noted, it pigeonholes writers into certain topic streams.

But then again, in order to get press coverage, and maximize promotional value, maybe they need a topical angle to pique the interest of relevant editors.

Regardless, if your writing regularly covers a specific focus area like this, this is one way in which you can use Twitter to establish yourself. And once you’ve built an audience of people engaged in the subject, they’ll also likely be interested in your books.

2. Build a Platform within the Writing Community

But what if you don’t write about a specific topic? Another approach you could take is to build a platform within the Twitter writing community, which can connect you to other people who are interested in writing – and by extension, readers who are interested in their work.

To clarify, this doesn’t mean that you should connect to every writer you can and blindly re-tweet each others’ latest book news. Doing this will likely see you end up talking amongst yourselves, and promoting your latest books to no one other than other writers, who are not your target audience. It can be great, and beneficial, to connect with other writers on Twitter for advice, support, etc. But in a promotional sense, it likely won’t help you a heap.

This is where you need to differentiate your purpose for Twitter use, and consider the audience that you ultimately need to reach.

Building a platform within the writing community for promotion more relates to connecting with other authors, with a broader view to utilizing those connections in order to reach more potential readers – i.e. their audience of readers who are already following them.

But this takes a lot of time and effort – Angela Meyer is a good example of this.

Angela has spent literally decades building her profile within the literary sector, first starting as a book blogger, then as a publisher, before finally becoming an author herself. Through all of this, Angela has established connection with a heap of authors and publishing types, who themselves have their own followings of interested readers. When Angela does tweet about a book launch, many of the people who re-tweet it are established authors and publishing folk.

That gives Angela not only reach to writers, but importantly, reach to more readers – but again, Angela has built that platform through years of work, establishing a network on Twitter of people who are now willing to advocate on her behalf.

Angela does also share content around gender identification, which is an element explored in her work, so she also uses topicality to broaden her platform. But an argument can be made that by establishing stronger ties within the literary community, you’ll stand a better chance of utilizing Twitter for promotion.

See also podcasters like Kate Mildenhall and Katherine Collette, who both see higher engagement on their tweets as a result of their established identities within the writing community, and subsequent connection to high profile authors who will be more likely to help them with re-shares and distribution on their announcements.

‘But isn’t that just authors sharing with each other, which you just said isn’t effective?’

Kind of, but in this way, you’re utilizing bigger name authors, those who already have established followings of willing readers. Now, you’re not only getting exposure to other authors, but importantly, the book-buying public.

It’s also worth noting here that with Twitter working to show more users tweets that they may be interested in, even Likes can have the same effect as re-tweets. Twitter’s algorithm will display a selection of tweets liked by people you follow in you in your feed – so even if you can get a prominent person in your field to simply like one of your tweets, there’s a greater chance of exposure to a reading audience.

3. Build a Platform Within Your Niche

Focusing on a single topic area can be restrictive, and building momentum for a podcast or similar in order to establish a place within the mainstream lit community takes time.

So what are your other options?

Establishing an audience within a specific niche, related to your work, is another way to maximize Twitter for promotion – though again, it doesn’t come easy.

In this way, you could tweet about things that interest you in, say, the horror genre in order to establish connection with like-minded users. You could share Hollywood news, posts about the horror writing process, engage with the community around the latest content. And through this, ideally, you can build your profile among people who will eventually also be interested in your stuff.

Author Maria Lewis is a good example of this:

Through her tweets, Lewis shares her interests in film, literature and the arts more broadly, which largely relate to the themes of her own books. Really, Lewis uses a combination of all three of these approaches – her books touch on topical issues, she hosts a podcast (and has previously been a host on SBS TV), and she shares a consistent tweet stream of the things that she’s interested in, further connecting her with like-minded Twitter users.

But again, this didn’t happen overnight. Lewis has also worked for years to establish herself as a commentator, through her work as a journalist and presenter, and she’s now earned an audience of like-minded fans who engage with her tweets.

But it is another approach – if you write in a specific genre, you can use your tweets to connect with readers who are interested in the same.

And the more you can build your brand, tweet-by-tweet, the more you’ll be able to connect with an audience that will be increasingly receptive to your own content.

4. Just Don’t Worry About it

So, all of these approaches take a lot of work – but it also worth noting that you don’t have to use Twitter as a promotional vehicle.

Many successful authors don’t even have a Twitter presence – or some, like American author Jesse Ball, just share random images or cryptic messages for fans.

Many authors also just share what they like, regardless of themes or ideas, and still do fine. While you can use Twitter as a means to promote your work, it’s not essential – but if you are getting frustrated, as with the example at the top of this post, with the lack of traction for your book tweets, it’s worth considering how those who do see significant engagement on their book tweets have worked to establish their presence.

‘So why don’t you do this?’

Yeah, I don’t personally tweet along thematic lines, or even along book-specific lines more broadly. That, in my case, is due to conflicting professional interests – I’m the head writer for Social Media Today, which is where the vast majority of my Twitter followers have come from, so if I share more fiction-related content, it likely won’t get a heap of traction. As outlined in the examples above, I haven’t established a platform for book promotion specifically, and because I’m in between these two worlds, I don’t personally make Twitter a huge focus – though I do use it to connect with other authors, which I find hugely beneficial.

In terms of other pointers, I would add these tips, based on examples I’ve seen:

  • Don’t just re-tweet – ever – Well, maybe not ever, but if you’re looking to establish yourself in a specific area, you need to be including your opinion when you share things. Blank re-tweets likely won’t help improve your tweet engagement (as your followers will be getting these in their feed with no context) and won’t further establish you as a person of interest in that field. Better to share with your own thoughts included. A notable exception to this is if the tweet is about you/your work – if a high profile person says your book is great, then you re-tweet that for sure, as this does work to further underline your brand through external endorsement.
  • Follow-for-follow is outdated – Yes, you want to have lots of followers, but followers who are just doing so in order to boost their own audience counts won’t engage with your tweets – and won’t buy your books.
  • Don’t follow trends – Sure, tweeting a cute cat picture or an inspirational quote might inflate your tweet metrics, but will it help connect you with people who are actually going to buy your book? Making a funny video might get more engagement – but if it’s not actively working towards building your presence in your key area of interest, and linking you through to that audience, it’s probably not really helping. Sharing insights into your personal life is fine, but keep in mind your broader strategic focus – if indeed you are aiming to use Twitter for max promotional value.
  • It’s not the algorithm – Some have suggested that it may be worth sharing some high-engagement tweets, even if they’re off-topic, in order to ingratiate yourself with Twitter’s algorithm. That way, the theory goes, when you share your subsequent promo tweets, you’ll get more reach. That’s not really a relevant consideration on Twitter – on Facebook it is, to a degree, but Twitter’s algorithm is more aligned to each individual tweet, and any reach boost you might achieve is likely not worth the effort (worth noting, too, that Twitter is working to better align itself around topics, further lessening any such impact).

As always, some will read this and respond with ambivalence. ‘But I like re-tweeting book launch info and connecting with fellow authors, and that works for me’. And that’s fine, if you’re happy doing what you do, then all good. But let’s face it, if you were truly satisfied with the results you’re seeing, you wouldn’t be reading this.

The bottom line is that there are ways to utilize Twitter to promote your work, but the pathway to true success is not easy. If you’re looking for a quick fix, a quick-hitting way to get the message out about your latest work, Twitter probably isn’t the best option.

Twitter is a brand-building platform, and as such, you need to take the time to build the right audience, those who will eventually be receptive to your promotional messaging.

5 comments

  1. tamstanford

    Thanks so much for these insights. I am a new author but established professional and have just taken the leap to create an author-only Twitter account. I can still tweet to tell my professional network where they can buy my book, without boring them with memes on writing angst!

    • adhutchinson

      Yes, the use of separate author accounts is another option to consider, while some have even gone so far as to create book-specific accounts in certain instances. There’s definitely logic to author accounts, but it also adds an extra level of management – and ultimately, time.

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