I have to restrain myself in talking about Dennis Villeneuve’s ‘Enemy’ because… it’s quite possibly my favourite film of all time. That’s a big call to make, and as soon as you do make it, people will scrutinize the film in a different way and instinctively try to tear it down, moreso than they would if you’d just said ‘yeah. It’s good’. Not that I don’t think the film holds up, but I hesitate only because I want everyone to see this film and experience it for all it is. Enemy is so well made, so well done and so amazing – it’s something that you need to let yourself be absorbed into.
Every element of Enemy has been planned to the nth degree. Every scene, background to foreground, is deliberate, all the pieces fit perfectly into where they should be. What might seem like nothing is actually carefully positioned to achieve best effect and the cinematography perfectly captures the feel of the film. The performances are great, and the way the story builds and shifts drags you further and further into the rabbit-hole-type story. Some have criticised the film’s heavy handed use of metaphor, but I think it’s exactly what it needs, at exactly the right times, in order to let you know there’s more happening than what you see. I can’t talk about the story, but I will say that it expands a whole different way of viewing it, outside of the film itself.
Enemy is exactly what I look for in a film. It’s storyline is intriguing, the film construction is thorough and it has an extra layer to it that forces the viewer to think about its meaning and subtext. It’s more than the sum of its parts, and while it won’t work for everyone, it was definitely one of my favourite viewing experiences of all time. Writers, in particular, can learn a lot from the story’s clever construction.