A long time ago, I remember reading an interview with a young author in the paper. She’d just had her first novel published, and she talked about how she’d done an ‘apprenticeship’ in novel writing by writing short stories – writing as many as she could, entering them into competitions, etc. This note stuck with me – at the time I was into short story writing exclusively. I was reading a lot of Amy Hempel, Alice Munro and Lorrie Moore and I was all about being a short story writer. Who needs to write a novel? Short story’s where it’s at. This, at least in part, was because the thought of writing 50,000+ words was way too daunting to contemplate. That word count is a massive mountain to climb. I had attempted a novel, kind of, but it was half way through 30 pages in so not quite long enough.
But this idea of doing an apprenticeship in short story opened my mind to the idea of planning a novel in short story form. I didn’t know that I’d be able to write a novel but I could give you 100 short stories, no problem. I was writing new pieces everyday, coming up with new ideas, it became more conceivable for me to visualise a novel as 50 connected short stories. 50,000 words = scary. 50 short stories = doable.
This is how I planned and wrote my first novel (and planned my second, the writing has been slightly more problematic). I thought of an idea, of a concept that I thought would work. I thought of the key points, played them over and over in my mind and then, once I had a basic skeleton of the story, I sat down and wrote a list of 50 short pieces that would tell the story. Suddenly I could see how it was possible, writing short stories, one by one, was easy, I could knock them over at a rate of one a night. If I could get a solid plan down, I could do it. And with luck, lonely nights, and a lot of persistence, I did.
Of course, there was a lot more that came up along the way – extra planning, re-plotting, adding in chapters to build additional context once the themes were clear (note: the themes of your novel will only be 100% clear once you’ve completed your first draft), getting the voice right – there was more work to be done than one planning session. But it did work, and I do think this is a solid way to go about writing a novel. If you’re dedicated to writing a book but having trouble visualising such a vast amount of content, I’d recommend this as a process to help rationalise the workload, to break it down to an digestable amount. Writing 1000 words a day is something you should commit to, if you can, and if you’re able to do that, you can write a chapter a day. And eventually it will start to take form.