It’s interesting to consider what it takes to become a writer.
It’s a key focus among the questions that people commonly ask – ‘How did you get published?’ ‘What’s your writing process?’ ‘What word processing program do you use?’
As evident by the raft of self-publishing platforms out there, many, many people want to be able to call themselves writers, and want to be able to generate income by doing what they love. And they’re looking for the secret, the magic trick that will transform them from amateur to professional.
But the truth is, there really is no one thing.
Of course, you likely know this, but when I consider what I’ve done, in comparison to others I speak to who haven’t yet seen the same success with their writing efforts, I think the main difference is that I get it down and I send it out.
I’ve always been fairly disciplined in this respect, and good at maintaining a level of writing momentum. Even when my most recent novel slowed me down (significantly), I still kept writing, I kept working on other things. Within that process, I had to really re-assess whether this is what I wanted to do, whether I wanted to keep pushing, and once I had decided that I needed to stay with it, I had to re-arrange my day-to-day scheduled to make time for fiction work.
And eventually, I got it down, and I’ve written a lot more since (in what may come as welcome news for those struggling with a difficult project, once I’d gotten my second book out, and freed my mind of it, I was back into full swing, and I’ve written more in the last 12 months than I had in the previous 5 years).
For me, I feel like that’s been key – having the persistence to get the work done in the first place, then the confidence in it to send it out.
Many aspiring writers I talk to will say that they’ve always wanted to write, but they’ve never had the time. You won’t get anywhere unless you actually do it. Then there are others who would never dream of showing anyone else their stuff – or at least, not until it’s 100% perfect, and that, in many ways, is a noble, logical approach. But at some point, you need to send it out. So what if it gets rejected, or if you don’t hear anything back? At least you’re pushing. At least you’re trying to get to that next stage.
There is also a level of natural ability, and research required. I guess that’s another element which is often overlooked – while you might not necessarily see it, writers are constantly reading in the genres they write in, and in general, they’ve thoroughly studied writing theory and process too. It may not be obvious, but every writer has to do this work – if you want to write and be published, you have to know the market, and you have to understand what works.
Reading what’s out there, and understanding literary analysis is key.
As a basic example, sometimes my wife will be like ‘why don’t you just write some big selling commercial fiction book and set yourself up financially?’ Because I can’t – because in order to do that. I would have to read hundreds of books in that genre, in order to understand the language flows, the tropes, the ways in which to best communicate that type of story. Genre fiction may seem more straight-forward than ‘lit fic’, more formulaic to a degree, but you still have to do the work to make your stuff great. You have to know the style, in and out – you have to read, a lot.
Again, this is what all authors do, and that’s likely why there is no magic pill, no secret tip that can turn you into a published author. Because, for one, there is no set path – there are no prescriptive guides, everyone’s evolution is different. And really, it comes down to work, to your capacity to learn and adapt, to your commitment to understanding your story, your genre, and your ability to connect everything together into a compelling piece of your own.
Maybe, then, that’s the secret. It’s not easy, it’s no shortcut. But the truth is you have to do the work.
Get it down, fix it up, then send it out. Then start on the next thing.