Tagged: book-review

novel influence

We vastly underrate the value of stories, and the contributions that they make to society.

Creative writing, like all arts, is often seen as an expendable funding element, and among the first option when it comes to, say, funding cuts by government bodies.

“Why should our taxes pay for this guy to sit at home and make up stories?”

I know the arguments, and anyone in any creative industry has felt the impacts of such in action. But this perspective doesn’t account for the transformative power of storytelling, and the ways in which writing, painting, music, and every other form of creative pursuit can influence the way that we live.

Put simply, novels are the closest that you will ever get to experiencing the world through somebody else’s eyes.

On the surface, that may not seem like a major thing, but in all of human history, it’s stories that have changed minds, more than anything else, be it in books, movies, short videos on YouTube, etc.

This is why literature is inherently political, because in the telling of stories from varied perspectives, we highlight how people live, and how they experience the world. And that can then sway opinions on social topics, though at the same time, I don’t believe that art should be overtly political in this respect, with a specific aim of reinforcing a political point, or underlining a topical stance.

Artists have a responsibility to the work itself, and nothing else. You could argue that they also have a responsibility to their readers, in ensuring that they remain true to the world that they’ve created, but I would say that this is part and parcel of the first consideration, that in order to create a resonant art work, you need to remain committed to its creation, and stay true to the parameters within which it exists.

That’s where the truth comes from, in being honest about your characters and the situations that they inhabit, exploring the true nature of the work, then presenting that to an audience. It doesn’t have to be ‘good guys versus bad guys,’ it doesn’t have to showcase a specific perspective. An artist should remain attached to the vision of the work, and explore that with a commitment to sharing the characters’ perspective, no matter what direction that may lead.

By presenting things as they are, whether it’s in fiction, non-fiction, in painting, or anything else, you’re then allowing the reader to engage with another perspective. And from that, they can decide how they feel about it.

And that choice is powerful. Depicting rich aristocrats, for example, doesn’t need to be caricatures and clichés, which is the most obvious choice for a general audience, because an honest depiction of who they are, and how they live, will then inevitably also lead to sharing how they view the world, and why they do what they do.

And the reader can judge that for themself.

This is how art changes minds, and highlights society as it exists.

Even in science fiction, remaining true to the parameters of the world that you’ve created will inevitably lead to parallels that mirror real world thinking. The ‘why’ of the story is the driving force, and we read books to get a better sense of why characters do the things that they do, which is influenced by where they come from, what they’ve seen, and how they’ve been treated.

This is how we learn more about the world around us through books, and in my opinion, no other medium is as immersive in sharing somebody else’s perspective as a novel.

The stories may be made up, but the human center of the best fiction is what will always connect us to it.